Making Ganesh Idols: Photos from Inside Mumbai's Workshops

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    Handcrafting the Lord for the Festival

    Sharell Cook

    Picture this.

    There are only a few weeks remaining until the Ganesh Chaturthi Festival in Mumbai. It's one of the city's biggest and most anticipated festivals of the year. More than 200,000 idols of Lord Ganesh will be worshiped and immersed in water over the 10 days of the festival. Artisans are busy around the clock at workshops in south Mumbai's Lalbaug district, as it's a race against time to get all the idols finished. The labor-intensive process of handcrafting the Lord has been going on for around three months. It involves specialized skills, handed down from generation to generation, and workers come from as far as Bihar to assist.

    Keen to see the making of Lord Ganesh for myself, I decided to embark on this Ganpati Bappa Morya! Meanderings in Lalbaug guided walk, offered by Breakaway.

    My guide for the adventure, Ramanand Kowta (cell phone: 9892910023), was a man of diverse interests. He joined the tourism industry on a whim 10 years ago, after a lengthy corporate career followed by a stint in organic farming. I quickly discovered that he was a man of remarkable spiritual insight as well. In addition, he had a knack for photography, which delighted me.

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  • 02 of 13

    Inside the Idol Workshop

    Inside Ganesh idol making workshop in Mumbai.
    Sharell Cook

    With great anticipation, we set off for one of the biggest idol workshops in the area. Located north of the Lalbaug Flyover, it was a cavernous makeshift shed that had been fashioned out of bamboo poles and blue tarpaulins behind iron gates.

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  • 03 of 13

    Rows of Ganesh Idols

    Ganesh idols being made in Mumbai.
    Sharell Cook

    Inside, idols of different sizes and designs sat, row upon row, in various stages of completion. 

     

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  • 04 of 13

    Ganesh Idols Ready for Sale

    Ganesh idols being made in Mumbai.
    Sharell Cook.

    Some of the idols, which had already been completed, were wrapped in plastic and ready to go.

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  • 05 of 13

    Metallic Ganesh Idol Being Painted

    Silver Ganesh idols being made.
    Sharell Cook.

    Others were in the process of being given a metallic silver look.

     

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  • 06 of 13

    Large Ganesh Idols Being Made

    Making Ganesh idols in Mumbai.
    Sharell Cook

    Many of of the larger idols were still being shaped out of plaster. Immense, they loomed over me.

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  • 07 of 13

    Some Idols Required Scaffolding

    Making Lord Ganesh in Mumbai.
    Sharell Cook.

    One idol, sitting atop a huge ball, was surrounded by scaffolding so that the artisans could climb up and access it.

     

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  • 08 of 13

    Rows of Mice

    Lord Ganesh's vehicle the mouse being made.
    Sharell Cook

    The mouse, Lord Ganesh's "vehicle" that always accompanies him, was also being made. They sat lined up in rows as well.

     

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  • 09 of 13

    Everyone Was Busy

    Making Lord Ganesh in Mumbai.
    Sharell Cook

    Some people painted, while others carried large bags of supplies.

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  • 10 of 13

    Putting the Final Touches on the Idols

    Painting idols of Lord Ganesh.
    Sharell Cook.

    I couldn't help but wonder how the work was going to be done in time for the festival. After all, the painting that would transform the idols from plain white figures into the much loved elephant god required so much detail.

     

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  • 11 of 13

    Kambli Arts

    Sharell Cook.

    Near Chinchpokli Bridge, we visited the workshop of Ratnakar Kambli, the head of Kambli Arts. Renowned artists and sculptors, three generations of the family have been making Mumbai's most famous idol -- the Lalbaugcha Raja -- since 1935. For them, idol making is more about love than money and they focus on decoration work for the remainder of the year.

    The surprisingly humble and unpretentious Mr Kambli invited us in, offered us a cold drink, and gave us laminated photos of the Raja sitting on his throne in all his glory. Chatting to him revealed that while the idol had been fully assembled, it was yet to be painted. Approximately one and half months are required to complete the 12 foot idol. Its parts are first cast from molds in the workshop and then transported to its heavily guarded site in Lalbaug market, as it's too big to be carried whole. The idol's legendary look, now patent protected, was created by Mr Kambli's older brother Venkatesh who was a graduate of the Sir J. J. School Of Arts. As for its elaborate set, it's been entrusted to designers including illustrious Bollywood art director Nitin Desai.

    Mr Kambli also explained that its been necessary to adapt the design of the Lalbaugcha Raja, to enable it to fit under the new Lalbaug Flyover when being carried out for immersion. Some of its parts, including the crown, are now being made to fold down.

    All around the workshop, artisans who'd toiled throughout the night slept on bedrolls under statues of the Lord. Despite the light and noise, their minds were enviably at peace in his presence.

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  • 12 of 13

    Roadside Sculpting of Ganesh

    Roadside sculpting of Ganesh.
    Sharell Cook

    In other workshops that had mushroomed on the roadsides, young craftsmen were diligently sculpting and painting. Some were not even out of their teens, but they were already so adept at the sacred art.

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  • 13 of 13

    Lalbaug Spice Market

    Spices for sale at Lalbaug spice market.
    Sharell Cook

    My tour concluded in the Lalbaug spice market. I left feeling joyful and unburdened by my divine voyage, which brought me so close to Lord Ganesh, the remover of obstacles. There was such beauty in the many creative expressions of him and the effort that was being devoted to bringing them to life.

    The idols of Lord Ganesh will be displayed on stages and taken into homes across the city, where his presence will be invoked into them and they will be worshiped during the festival. At the end, they will be immersed in water and left to be destroyed as a powerful reminder not to get attached to their beauty, and to remain aware that the Lord's energy still exists even though his image has gone.